Thank you to all who drove by Waterloo Park to view the illuminated Moody Amphitheater from November 16-22, 2020. Last week, Waterloo Park’s world-class Moody Amphitheater came to life by illumination in honor of our beloved annual event Creek Show. Since 2014, our organization has commissioned dozens of local artists to create site-specific, light-based art […]
Frida Friday ATX: A Gaylentine’s Celebration
This Valentine’s Day, more than 400 people gathered at Symphony Square for Frida Friday ATX’s Gaylentine’s Celebration! Guests danced along to music by DJ Kick It and enjoyed show-stopping performances by local drag queens, Kelly Kline, Robin Rose Quartz, and Grandma Steven. In addition to participating in family-friendly activities, visitors got to sip on complimentary […]
Creek Show 2019 Dazzles Over 60,000 People!
Thank you for coming out to support our 6th Annual Creek Show. We were delighted to see tens of thousands of people experiencing the magic of Waterloo Greenway and exploring the Red River Cultural District throughout our 11-night event.
An Unforgettable, Record-Breaking Benefit Concert + Dinner!
Over 1,200 Waterloo Greenway supporters, friends, and King Princess fans joined us at Stubb’s on October 9 to help us get one step closer to fulfilling our vision of creating 35 acres of extraordinary green space in ever-changing downtown Austin.
Presented in partnership with The Contemporary Austin, Hurlyburly is a massive outdoor piece of painted and hand-knotted rope that stretches across an area directly adjacent to the mouth of Waller Creek. Recalling the languid flow of the creek, the undulating, woven structure invites visitors to interact with each other, with the work, and with the surrounding parkland. New York City-based artist and designer Orly Genger creates organic forms and site-specific installations from painted swaths of woven rope, crocheting, weaving, and knotting heavy twine over the course of many months.
Presented in partnership with The Contemporary Austin, Forever Bicycles (2014) consists of over 1,200 bicycles transformed into a playful, spectacular monolith of a sculpture. The title, Forever Bicycles, alludes to the Forever brand (Yongjiu) – a company based in Shanghai whose mass-produced bicycles flooded the streets of China during the artist’s childhood yet remained financially out of reach for many – but also suggests a globally utilitarian form of transport now disappearing as car culture becomes predominant. The conceptual premise of this series consists of several to thousands of bicycles assembled into a composition.